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GERMANY / TRAVEL NOTES

Berlin

Two days of walking through a city where even the journey underground becomes history.

The Brandenburg Gate at dusk
01 Through the lens
Berlin in Hourline — golden
02 In Hourline

Berlin in Hourline shows the same artwork as the app, bringing its landmarks together in a composed scene.

01

The Brandenburg Gate

I reached Berlin on the evening of 9 July, dropped my bags and went straight to the Brandenburg Gate. At ten, summer had not quite let the sky go dark. Blue-violet clouds pressed above the roof while the columns glowed gold.

The gate has been claimed by so many versions of Germany: the Quadriga taken to Paris and returned, propaganda spectacles, wartime destruction, then decades in the border zone. People on either side of a divided city could look towards the same monument without reaching one another.

On the way back, quotations about the Wall filled the station walls beside the escalator. Denial, protest and demands for its removal appeared in sequence. In Berlin you can think you are merely catching a train, then discover you have walked into a history lesson.

The Brandenburg Gate during the 1936 Olympics · archival photograph
The Brandenburg Gate during the 1936 Olympics · archival photograph
The Brandenburg Gate at dusk
The Brandenburg Gate at dusk
Quotations in Brandenburger Tor station
Quotations in Brandenburger Tor station

02

The Victory Column

The next morning I went to the Victory Column in Tiergarten. High above it, the gilded figure Berliners call Goldelse held her wreath. I thought of the angel in Wim Wenders's Wings of Desire, watching the city from up there.

After the spiral stairs, the view stretched east along Straße des 17. Juni. The Brandenburg Gate was tiny at the end of the avenue, with the television tower farther away. Around the road, Tiergarten looked like a forest swallowing the city. Knowing how much of it had been lost during and after the war made that abundance of green feel less inevitable.

The gilded figure above the Victory Column
The gilded figure above the Victory Column
Tiergarten and Straße des 17. Juni from above
Tiergarten and Straße des 17. Juni from above

03

Potsdamer Platz

By midday I had reached Potsdamer Platz. Glass and steel made it look exceptionally new. The place has been a busy intersection, a ruin, a border wasteland and an enormous building site. Much of that history is easier to read in lines on the ground than in the buildings above them.

A few surviving Wall sections stood nearby. Photographs showed the same patch of city occupied by barriers, then by crowds, then by cranes. Standing still was enough to travel through several different landscapes.

Potsdamer Platz and the Deutsche Bahn tower
Potsdamer Platz and the Deutsche Bahn tower
Surviving Wall sections at Potsdamer Platz
Surviving Wall sections at Potsdamer Platz

04

Topography of Terror

At the Topography of Terror, the tone changed. The documentation centre occupies the former site of the Gestapo and SS headquarters. Its restrained architecture gives the photographs, records and testimony little to hide behind.

The material shows how state terror became an organised system. It is a difficult place to visit, and the lack of theatrical presentation makes it harder to look away.

The Topography of Terror documentation centre
The Topography of Terror documentation centre
A blue Berlin bear and European flags
A blue Berlin bear and European flags

05

Checkpoint Charlie

Farther along Friedrichstraße, Checkpoint Charlie was surrounded by visitors. The reconstructed guard hut, the portraits of soldiers and the multilingual sector sign recall a crossing where a border was once frighteningly real.

Now people queue for photographs. Fast-food signs share the view with Cold War warnings. The distance between those two uses of the same street is almost impossible to measure while standing in it.

The American soldier portrait at Checkpoint Charlie
The American soldier portrait at Checkpoint Charlie
The reconstructed checkpoint hut
The reconstructed checkpoint hut
The multilingual sector sign beside modern shops
The multilingual sector sign beside modern shops
The Checkpoint Charlie museum
The Checkpoint Charlie museum

06

Unter den Linden

In the afternoon I walked around Museum Island. The cathedral's green dome rose near the silver sphere of the television tower. People lay in the sun on the Lustgarten lawns. The Altes Museum's long colonnade gave the square a different kind of order. I did not have time to visit the museums, so this was a walk around their outside edges.

Unter den Linden led me west. The Neue Wache is small beside the city's grander monuments. Inside, a mother holds her dead son beneath an opening in the roof. The sculpture is exposed to changing light and weather. Nearby stood Humboldt University and the equestrian monument to Frederick the Great. A short stretch of pavement held learning, empire and grief.

Berlin Cathedral and the television tower
Berlin Cathedral and the television tower
The Altes Museum and its forecourt
The Altes Museum and its forecourt
The Neue Wache
The Neue Wache
Humboldt University and the Humboldt statue
Humboldt University and the Humboldt statue
The equestrian monument to Frederick the Great
The equestrian monument to Frederick the Great

07

Along the East Side Gallery

Towards evening I took the S-Bahn to the East Side Gallery. Murals cover the surviving stretch of Wall beside the Spree. They have weathered, been damaged and restored. Even a monument to change keeps changing.

Later, the glass-roofed hall at Ostbahnhof was quiet. After two days of walking, what surprised me most was how much division remained visible in the city's texture. Street widths, apartment blocks and the atmosphere of whole neighbourhoods could still suggest east or west. The barrier had gone; the differences had not simply gone with it.

The Wall at the East Side Gallery
The Wall at the East Side Gallery
The hall at Ostbahnhof
The hall at Ostbahnhof